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Langston Hughes Poetry Foundation. Langston Hughes was first recognized as an important literary figure during the 1.

Harlem Renaissance" because of the number of emerging black writers. Du Bose Heyward wrote in the New York Herald Tribune in 1. Langston Hughes, although only twenty- four years old, is already conspicuous in the group of Negro intellectuals who are dignifying Harlem with a genuine art life. It is, however, as an individual poet, not as a member of a new and interesting literary group, or as a spokesman for a race that Langston Hughes must stand or fall.

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Always intensely subjective, passionate, keenly sensitive to beauty and possessed of an unfaltering musical sense, Langston Hughes has given us a 'first book' that marks the opening of a career well worth watching."Despite Heyward's statement, much of Hughes's early work was roundly criticized by many black intellectuals for portraying what they thought to be an unattractive view of black life. In his autobiographical The Big Sea, Hughes commented: "Fine Clothes to the Jew was well received by the literary magazines and the white press, but the Negro critics did not like it at all. Eye Patches For Adults Cvs. The Pittsburgh Courier ran a big headline across the top of the page, LANGSTON HUGHES' BOOK OF POEMS TRASH. The headline in the New York Amsterdam News was LANGSTON HUGHES—THE SEWER DWELLER. The Chicago Whip characterized me as 'the poet low- rate of Harlem.' Others called the book a disgrace to the race, a return to the dialect tradition, and a parading of all our racial defects before the public. The Negro critics and many of the intellectuals were very sensitive about their race in books. And still are.) In anything that white people were likely to read, they wanted to put their best foot forward, their politely polished and cultural foot—and only that foot."An example of the type of criticism of which Hughes was writing is Estace Gay's comments on Fine Clothes to the Jew.

It does not matter to me whether every poem in the book is true to life," Gay wrote. Why should it be paraded before the American public by a Negro author as being typical or representative of the Negro? Bad enough to have white authors holding up our imperfections to public gaze. Our aim ought to be [to] present to the general public, already misinformed both by well meaning and malicious writers, our higher aims and aspirations, and our better selves." Commenting on reviewers like Gay, Hughes wrote: "I sympathized deeply with those critics and those intellectuals, and I saw clearly the need for some of the kinds of books they wanted. Tooth Care Tips For Adults on this page. But I did not see how they could expect every Negro author to write such books. Certainly, I personally knew very few people anywhere who were wholly beautiful and wholly good. Besides I felt that the masses of our people had as much in their lives to put into books as did those more fortunate ones who had been born with some means and the ability to work up to a master's degree at a Northern college.

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  • Langston Hughes was first recognized as an important literary figure during the 1920s, a period known as the.

Anyway, I didn't know the upper class Negroes well enough to write much about them. I knew only the people I had grown up with, and they weren't people whose shoes were always shined, who had been to Harvard, or who had heard of Bach. But they seemed to me good people, too."Hoyt W.

Fuller commented that Hughes "chose to identify with plain black people—not because it required less effort and sophistication, but precisely because he saw more truth and profound significance in doing so. Perhaps in this he was inversely influenced by his father—who, frustrated by being the object of scorn in his native land, rejected his own people. Perhaps the poet's reaction to his father's flight from the American racial reality drove him to embrace it with extra fervor." (Langston Hughes's parents separated shortly after his birth and his father moved to Mexico. The elder Hughes came to feel a deep dislike and revulsion for other American blacks.) In Hughes's own words, his poetry is about "workers, roustabouts, and singers, and job hunters on Lenox Avenue in New York, or Seventh Street in Washington or South State in Chicago—people up today and down tomorrow, working this week and fired the next, beaten and baffled, but determined not to be wholly beaten, buying furniture on the installment plan, filling the house with roomers to help pay the rent, hoping to get a new suit for Easter—and pawning that suit before the Fourth of July."In fact, the title Fine Clothes to the Jew, which was misunderstood and disliked by many people, was derived from the Harlemites Hughes saw pawning their own clothing; most of the pawn shops and other stores in Harlem at that time were owned by Jewish people. Lindsay Patterson, a novelist who served as Hughes's assistant, believed that Hughes was "critically, the most abused poet in America. Serious white critics ignored him, less serious ones compared his poetry to Cassius Clay doggerel, and most black critics only grudgingly admired him.

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